Old Habits, New Tools

Oct 2, 2026·
Clément Godbarge
Clément Godbarge
· 3 min read
A weaver at a Jacquard loom, with the chain of punched cards that programmes the pattern. Photograph via IEEE Spectrum
post Digital Humanities

The early modern humanists who adopted the printing press gave the edition the form it has kept ever since: the text is established, set in type, published once, and corrected, if at all, in a second edition years later. We have had computers for half a century, and we still make digital editions as if they were printed books. We finish the text, publish it in one go, and leave the errata for later. The tools are new, but the habits are old.

My new lesson for Programming Historian en français, ‘L’édition critique en continu : publier au rythme de l’encodage (Partie 1)’, takes the new tools at their word. If TEI encoding is code, and it is, then it can be versioned, validated and transformed like code. Software developers long ago stopped waiting for a finished product: every change is checked automatically and released once it passes. Nothing prevents a critical edition from working the same way, publishing each letter as soon as it is encoded and reviewed, and correcting it in the open whenever a better reading turns up.

Part 1: the building blocks

This first part sets out the pieces that free the editor from the inherited workflow, all of them open-source:

  • an ODD, the single document that specifies the project’s encoding;
  • a RELAX NG schema generated from it, which enforces the structure;
  • Schematron rules, which add the editorial constraints a schema cannot express;
  • a validation script, which checks the whole corpus in one command and produces readable outputs through XSLT.

The examples come from the correspondence of Filippo Cavriana, the edition I am building along these lines. Part 2 will add the chain that ties these pieces together, so that every change to the corpus is validated and published as it is made. The lesson belongs to my Efficient Editing project, which looks for ways to bring the cost of scholarly editions down; automating publication, so that the editor is no longer waiting on a specialist at the end of the chain, is one of the largest savings available.

Outcry, denial, or superficial adoption

The reception of artificial intelligence follows the same pattern: outcry, denial, or superficial adoption. This is one reason I like the digital humanities: few fields show the paradox so plainly. New tools should be an invitation to rethink how we can work better, not a new coat of paint on old routines. This lesson takes up the invitation for scholarly editing. Stay tuned for Part 2.

My thanks go to my editors, Daphné Mathelier and Matthias Gille Levenson, to my reviewers, Jasmin Macarios and Elsa Van Kote, and to Anisa Hawes.

The lesson is in open access: programminghistorian.org/fr/lecons/edition-critique-continu-pt1 (DOI: 10.46430/phfr0044).

Clément Godbarge
Authors
Lecturer in Digital Humanities
Clément Godbarge is a Lecturer in Digital Humanities at the University of St Andrews. His research revolves around science and statecraft in early modern Europe. In his forthcoming book, he examines how doctors embedded at the courts of sixteenth-century France and Italy promoted themselves as political experts of a new genre. His research has been supported by the Andrew W. Mellon Foundation, the Fulbright Commission, the Renaissance Society of America, and Harvard University.